艺术家：雷傲

Artist：Lei Ao

作品名称：《寂寥之空》

Title of work：The Desolate Sky

作品材质：醋酸、真丝、盘金线

Material(s)：Acetate, silk, Metallic thread

作品阐释：

Concept statement：

寂寥是深沉的一种“野渡无人”“潇木叶下”“古道西风“枯树寒鸦”这种寂寥之美展现天地宇宙的广阔，以此来反观人世的刹那与永恒。

朱良志:在无争、无斗、淡泊、自然、平和的心境中一切都是寂静的，在这种寂寥中“人们仿佛忘记了时间的流逝“山静似太古·日长如小年”的宋式美学。

Loneliness is a profound kind of beauty, like "a wild ferry with no one around," "leaves falling from the desolate trees," "the ancient path in the west wind," and "the cold crow on the withered tree." This beauty of solitude showcases the vastness of heaven and earth, reflecting on the fleeting and eternal aspects of human existence.

Zhu Liangzhi: In a state of no conflict, no struggle, detachment, naturalness, and peace, everything is silent. In this solitude, "people seem to forget the passage of time, 'the mountains are quiet like ancient times, and the days are long like a small year,'" reflecting the Song-style aesthetics.

艺术家：熊艺

Artist：Xiong Yi

作品名称：《涡》

Title of work：Vortex

作品材质：手工织布、丝、麻

Material(s)：Handmade weaving, Silk, Linen

作品阐释：

Concept statement：

水乃生命之源，涡纹是苗族蜡染纹样中常见的纹样，记录着苗族祖先一路拔山涉水迁徙的历史。在自然与天地间，河流与稻田里的涟漪、树的年轮、人的指纹、宇宙银河的星轨，水涡纹曼妙的延伸，回应着过去、现在、未来之间，独立、联系又统一的曲线韵律。

作品，在版型上，坚持保留传统十字裁剪并进行推敲，解决了苗族手工织布的局限性，袖口加以结构创新，融入汉代深衣宽袖袍的廓形和中国工笔画中流畅的线条；在材料上，坚持采用传统手工织布制作；作品在工艺上，采用苗族传统蜡染工艺绘制水涡，将水涡纹放大并进行组合排列，局部纺染呈现水侵蚀的状态，表述生命和时间循环渐进的过程。

Water is the source of life, and vortex pattern is a common pattern in Miao wax printing, recording the history of Miao ancestors who migrated through mountains and water. Between nature and heaven and earth, the ripples in rivers and rice fields, the tree rings, human fingerprints, and the orbits of the universe and Milky Way, the graceful extension of water vortex patterns, respond to the independent, interconnected, and unified curve rhythm between the past, present, and future.

In terms of design, the work adheres to traditional cross cutting and careful consideration, solving the limitations of Miao handmade weaving. The cuffs are structurally innovated, incorporating the silhouette of Han Dynasty deep clothes and wide sleeved robes and the smooth lines of Chinese meticulous painting; In terms of materials, we insist on using traditional hand woven fabrics for production; In terms of craftsmanship, the work adopts the traditional Miao wax printing technique to draw water vortices, amplifying and combining the water vortex patterns. Local textile dyeing presents a state of water erosion, expressing the gradual process of life and time cycles.

艺术家：徐花

Artist：Xu Hua

作品名称：《静候生花》

Title of work：Waiting For The Growth

作品材质：香云纱

Material(s)：Gambiered Guangdong Silk

作品阐释：

Concept statement：

礼记有云“社,所以神地之道也。地载万物,天垂象,取材于地,取法于天。是以尊天而亲地也”。土地崇拜是原始宗教中的普遍现象。世界各民族几乎都有。原始的土地崇拜带有很强的神秘性。它所崇拜的是土地的自然属性和其对人类生活的影响力。薯莨作为大自然的馈赠，在古人的探索中，发现了其作为染料的作用。土壤作为养育薯莨的温床，滋养了作物，薯莨承载了土地的颜色，后经过河泥的灌溉，形成了特有的制布工艺，从土地中来，到尘世中去，土地的馈赠无处不在。通过还原香云纱晒莨至少二十六道制作工序中颜色的变化过程，记录人类与土地互动的过程，与土地的持续互动中，人们浇灌土地，土地恩养世人。像是面料制作的过程，人们通过这种持续互动，面料逐渐成型，人类通过持续的耕作，获得土壤的庇佑，在这样的的关系中，慢慢的认识这个世界，也认识自己。

It is recorded in Liji(TheBook of Rites) that: “In the sacrifice at the She altars they dealt with the earth as if it were a spirit. The earth supported all things, while heaven hung out its brilliant signs. They derived their material resources from the earth; they derived rules (for their courses of labor) from the heavens. Thus, they were led to give honor to heaven and their affection to the earth.”Land worship is a common phenomenon in primitive religions that could be found in almost all peoples of the world. Primitive land worship carries a strong mystical character. It worships the natural attributes of land and its influence on human life.As a gift of nature, the dye yam discovered its role as a coloring matter in the explorations of the ancients. The soil, as a breeding ground for the dye yam, nourished the crops, the dye yam carried the colors of the land, and later, after being irrigated by river mud, the unique cloth-making process was formed, coming from the land, and going to the earthly world, the gift of the land is everywhere. By restoring the color changing in at least twenty-six 

production processes of theGambieredGuangdong gauze, it records the process of interaction between human beings and the land, and in this continuous interaction, people water the land, and the land graciously nourishes the people. It's like the process of fabric making, how people interact with each other continuously and how fabrics gradually take shape, the human beings are blessed by the soil through continuous cultivation, and in such a relationship, they slowly get to know the world, and get to know themselves.

/参展艺术家/

List of Artists