2014年9月至2019年6月就读于中央美术学院造型学院雕塑系公共艺术工作室，同年考入中央美术学院雕塑系研究生。

作品《偶然》获我的2016中央美院雕塑系年度创作奖年度优秀作品奖；

2019年作品《衣旧出彩》参展景德镇陶溪川美术馆“贴地飞行展览”；

2019年雕塑系通道画廊“素心拙相——黄禹铭雕塑作品展”担任策展人；

2020年798国际艺术交流中心“生声——中国当代雕塑作品展”担任策展人；

2020年北京隆福大厦“离解——杜飞辰作品展”担任策展人；

2020年作品《苹果是苹果的果实》参加中央美术学院美术馆 “北京青年艺术双年展”； 

2021年新国贸饭店“我就粉你——粉色当代先锋艺术展”担任策展人；

2021年西单更新场“恋与喵星人公益展”担任策展人；

2021年新国贸饭店“世界是银色的——银色当代先锋艺术展”担任策展人。

From September 2014 to June 2019, she studied in the public art studio of the Sculpture Department of the school of plastic arts of the Central Academy of fine arts, and was admitted to the graduate student of the Sculpture Department of the Central Academy of Fine Arts in the same year.

The work "accidental" won my 2016 annual Creation Award and annual excellent work award of the Sculpture Department of the Central Academy of fine arts;

In 2019, the work "old clothes shine" was exhibited in the "ground flight Exhibition" of taoxichuan Art Museum in Jingdezhen;

In 2019, she acted as the curator of the "plain hearted and clumsy appearance - Huang Yuming sculpture exhibition" of the channel Gallery of the sculpture department;

In 2020, she served as the curator of "Shengsheng - Chinese Contemporary Sculpture Exhibition" of 798 international art exchange center; 

In 2020, she served as the curator of "dissociation - Du Feichen's Works Exhibition" in Beijing longfu building;

In 2020, the work "apple is the fruit of apple" participated in the "Beijing Youth Art Biennale" of the Art Museum of the Central Academy of fine arts;  

In 2021, she acted as the curator of "I'll pink you - Pink contemporary pioneer art exhibition" in New International Trade Hotel;

In 2021, she acted as the curator of the "love and meow star people public welfare Exhibition" in Xidan update field;

In 2021, she acted as the curator of "the world is silver - Silver contemporary pioneer art exhibition" in New International Trade Hotel.

作品名称：《璇玑》  

作品材质：陶，网纱 

合作设计师；邓鹤 

        以相传前秦时期《璇玑图诗》的作者才女苏蕙为灵感，诠释中国文化漫漫历史长河中女性的力量，如水滴般的面庞，在层层幔帐的河流中若隐若现。区别于由现实到虚拟的路径，这件作品先通过虚拟化实现，后逆向导入现实，重新思考现实面料的可能性在现实空间中形成对于虚拟世界的观照。虚拟空间中注重的超感官体验的情感获取，而在物理空间中营造的主题叙事空间所带来的实时在场感是现阶段虚拟所无法达到的，对于虚拟空间的现实再现，可以带来物理时空的在场，双向的关系连通了虚拟与现实的通道。

       不同虚拟空间的尝试营造不同的场域感受。纯白色的模拟风景，带有符号化的冰川影像是对于未来感的影射，在这个冷静的场域中，风不存在，这是一个真空的环境，一切都是静止的，然而物在真空中解体，这是算法带来的风，且只作用于指定的物的风，这是现实空间中无法达到的效果，一种全新的充满矛盾的感官体验就这样发生了。

        Inspired by Su Hui, the author of Xuanji picture poetry in the pre Qin period, it is said that the power of women in the long history of Chinese culture, such as water droplets, looms in the river with layers of curtains.Different from the path from reality to virtual, this work is first realized through virtualization, and then inversely introduced into reality. It rethinks the possibility of real fabrics and forms an observation of the virtual world in real space. The virtual space focuses on the emotional acquisition of super sensory experience, while the real-time sense of presence brought by the theme narrative space created in the physical space can not be achieved by the virtual at this stage. The realistic reproduction of the virtual space can bring the presence of physical time and space, and the two-way relationship connects the channel between virtual and reality.

Different virtual spaces try to create different field feelings. The pure white simulated landscape and symbolic glacier image are reflections on the sense of the future. In this calm field, the wind does not exist. It is a vacuum environment, and everything is static. However, things disintegrate in a vacuum. This is the wind brought by the algorithm, and only acts on the wind of the specified things, which is an effect that cannot be achieved in real space, A new and contradictory sensory experience happened.