李艾虹，女，籍贯浙江富阳，1993考入浙江美术学院，1997年毕业于中国美术学院获文学学士学位，2005年毕业于中国美术学院获设计艺术学硕士学位并留校任教，2007年获“中国杰出女装设计师发现计划赴法留学培养人，2009年毕业于法国巴黎高级时装工会学校获高级女装设计师专业文凭。现为中国美术学院设计艺术学院副教授，硕士生导师。中国纺织服装教育学会艺术设计教育委员会委员、浙江省美术家协会会员、浙江省服装设计师协会会员、浙江省创意设计协会会员，第三届“中国美术奖·创作奖”国家级银奖获得者，曾多次获得教学成果指导奖国家级荣誉。著有《时装品牌风格设计解码》一书，历年来参加国际时装艺术展览及具有个人代表性的时装艺术作品。

Li Aihong,female,Fuyang Zhejiang Province; admitted to Zhejiang Academy of Art in 1993; graduated from China Academy of Art with a bachelor’s degree in literature in 1997; graduated from China Academy of Art with a master’s degree in design art and stayed at the school to teach in 2005; awarded the “China Outstanding Women’s Fashion Designer Discovery Program”in 2007; graduated from     and obtained a professional diploma of senior fashion designer in 2009; Associate Professor,Master Tutor,School of Design and Art ,China Academy of Art; Memder of Art Design Education Committee of China Textile and Garment Education Association; Member of Zhejiang Artists Association; Zhejiang Fashion Designers Association; Zhejiang Creative Design Association;winner of thrid National Silver Award of “China Art Award and Creation Award”; won the national honor of teaching achievement guidance award for many times; the author of the book《Decoding Fsahion Brand Style Design》; participated in international fashion art exhibitions and personal representative fashion art works over the years.

作品名称：《一路温暖》 《Warm all the Way》

作品材料：棉布、丝绸  Cotton、Silk

《一路温暖》作品灵感源自对传统活化设计的新思考，对传统的侗族手工棉布与现代技术碰撞产生新的火花，在设计上以“无”设计为设计的终极目标，用数字一作为个体，不断的发展集合成一种力量，似乎对凝聚力表达方式的服装呈现，仅仅通过对一块侗布面料的改造，却从中感受曲率变化的穿着可能性与穿着自由变化的便捷性，使设计出时尚未来感的服装成为可能。用设计温暖人心，用设计关爱民族，用设计传递东方人的生活哲学，传递东方时尚创意的力量。

《All the way warm》 works inspired by the new thinking of traditional activation design, the collision of traditional Dong handmade cotton cloth and modern technology produces new sparks, in the design of "none" design as the ultimate goal of design, with the number one as an individual, continuous development and integration into a force, it seems that the clothing presentation of cohesion expression, only through the transformation of a piece of Dong cloth fabric. However, they can feel the possibility of wearing curvature changes and the convenience of wearing free changes, which makes it possible to design fashionable and futuristic clothes. Use design to warm people's hearts, use design to care for the nation, use design to convey Oriental philosophy of life, and convey the power of Oriental fashion creativity.

作品名称：《印红100》《India Red 100》

作品材料：棉布、丝绸  Cotton、Silk

《印红100》作品数字100是党诞生时间的演进，犹如生命的迹象由核心主脉搏动运行的节律，每一个分支哪怕多么渺小，也被主脉所顾及，从没分毫逊色，间隔与距离，只有互为链接，彼此珍重才能生息绵延，也预示着百年红色时代烙印之命运共同体的发展印迹，作品运用时装艺术的语言营造出节庆的旋律，表现出一种独特的艺术美感。

《Printing Red 100》Works,The number of 100 is the evolution of the birth time of the Party, just like the rhythm of the signs of life pulsing from the core main pulse, each branch, no matter how small, is also taken into account by the main pulse, never inferior, interval and distance, only by linking with each other and cherishing each other can we live and continue, which also indicates the development of the destiny community branded by the red era for a hundred years. The work uses the language of fashion art to create a festive melody, showing a unique artistic beauty.